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This book cannot be evaluated properly without examining the author's choice of format, which is the (i) of the format of standard academic works; here the photographs take center stage, with the text playing only a supporting role. This layout poses many dangers for the serious historian, not the least of which being the (ii) reception that academics—motivated partly by (iii) but also by genuine concern over scholarly standards—generally reserve for books apparently aimed at the popular market.
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